Suplex considers the space between offensive and defensive gestures in the context of site. It investigates the areas that lie in obfuscation, realizing the potential of artifice and proffering multiplicity. There exists no separation in the thing-- space and its contents. The in-between is manifested as transience: arrangement and transfer, moving in and moving out, belief and doubt, living and dying, finite and infinite. The dialogue between the inserted (a simultaneous attack and defense), the container and the resultant projection is asserted by the work. It seeks the overlap fostered due to the precedent condition of "in-between” and in this back and forth, oscillation of meaning ensues, making transparent possible adjacencies.